
For this Bobolink photograph I stood quietly with the tripod
in a nearby ditch and waited for quite some time for him to land
in the right light.
I took some bluebird photographs from the car window and some
standing quietly, a distance from the pole with the tripod.
I stood in the shadows and aligned myself with a tree when I knew that
the Baltimore Oriole was singing and flying back and forth in this area and he finally landed
fairly close.
I took some photographs of the female American Redstart from the car window,
and some standing quietly with the tripod in the field next to tall weeds.
Photographing songbirds in the wild, (not including those in your backyard), with a 300mm lens seems to have been a main theme with most of my blog posts. Most bird photographers recommend at least a 500mm for small song birds and I couldn't agree more. A 300mm is not ideal for birding. Even so, as far as quality is concerned, I personally feel it's one of the best lenses ever made. Mine is a Nikon 300mm 2.8 (mine, unfortunately, does not have V.R. - "Vibration Reduction"). Regardless of the lens quality, it is no doubt difficult to get close to small birds in the wild.
In spite of my situation, dealing with the death of four parents and still taking care of estate matters, I have a passion for songbirds, and investing in a longer lens would not be wise for me at this time. I am hoping that I can offer tips to those in a similar situation, who love birds, wishing to photograph them but not wanting to invest so much money in a 500, 600 or 800mm lens. I have considered selling my lens many times, but it works so well with larger creatures, and is easier to maneuver when walking around, that I can't seem to let go of it.
If I were to sum up what I've learned over the past few years regarding the best way to photograph birds with a 300mm lens, I would offer the following tips.
I have found that my most successful song-bird photographs taken with the 300mm (usually with 1.7 TC) have been from a vehicle window. By successful, I mean somewhat closer to the bird than what I normally capture while standing near a tree with a tripod. On two recent occasions, the vehicle worked so well, that the small birds landed on the car rear-view mirror! (Now that's actually too close for a 300mm!) My window tripod is make-shift at this point, though, and can be a bit shaky, so I plan to find something better in the future.
Just so you know, though, almost all of the songbird photographs taken with a 300mm will be cropped since you are further away.
When approaching a field, I look around for any kind of perch, such as a tree, tall weed or post.
If there is no perch, it will be very unlikely that you will be able to photograph any birds, unless perhaps they are ground birds, such as the Meadowlark.
Once you find a perch, take a camping stool and approach the area slowly and place it close enough to the perch with the sun to your back. The other option is to find a tree near the perch and align yourself with the tree so that you don't stand out to the bird. I know that you can't outsmart them, and they can still see you, but you may not startle them as much if you are somewhat hidden and quiet.
The best times seem to be from sunrise to usually no later than 10:00 am when it's too bright, and then from about 3:00pm until the sun sets, and again, always with the sun to your back and your shadow aligned with the bird location.
Make sure that you are wearing subdued colors, such as green, tan or brown. Whether this really matters or not is still up for debate, but it can't hurt not to wear bright clothing. I have been told by a friend, that the color doesn't matter, that what's more important is that you stay still and quiet. Her father used to hunt deer in a bright red jumper and still came home with one.
A have noticed that the birds usually make a chirping sound when they land on a nearby tree, so it gives me an idea that one is near and may come closer if I wait long enough. They usually start out deep inside the tree, sometimes looking right at me and refusing to come closer. Occasionally, though, I will be blessed and one will "forget himself" and land in a perfect spot, within view and out of the shadows.
Over the years I have learned to become "pickier" when attempting to photograph birds. (I still say "attempting" because coming home with a good photograph of one is never guaranteed.) If the bird is hidden, in poor light, or has a branch shadow streaking across his body, or there is a distracting background, I don't bother taking the photograph anymore. Many wise people have said that while photographing, do not spend your time looking at the LCD screen and deleting photographs since you may miss a good opportunity. I do agree, but I must confess that to this day I still quietly go through the LCD screen anyway because I have no desire to stay up late at night going through 100's of photographs that are not good. I can usually tell right away whether the photograph is blurred or has a dark shadow in the wrong place, so I delete those immediately. This way, when I go home, I may literally have only 10 photos to upload, rather than staying up late. This may not work for others, but it works for me. We are privileged to have this feature that film photographers did not have years ago.
Some day, if I ever do invest in a longer lens, I'm sure that all that I've been through capturing the songbirds with the 300mm will help me to seriously appreciate the longer lens. I don't think I'll know what to do with myself when and if that day comes!




















































































